It's been over a week, so I figured it's time for an update...
I miss my dad.
I miss Sam.
Film at 11.
This should really be no surprise. I mean, birthdays are bad enough, but this is the first Christmas without either of them, and I've always had them there - Sam for 20 years, my dad for 36. Even though we're keeping busy with holiday things, it's still that aching, empty feeling. Especially now that the weather is cold - Sam's favorite season was Autumn, when it got colder and we could snuggle together every night. I don't have to tell you I miss the snuggling - that's pretty much a given. The skin hunger is EXTREMELY acute right now.
I've been going through lots of old junk and throwing out a lot. My front patio holds stacks of garbage bags and sundry office furniture debris. When I'm done in the house, I will have a hauling service take it the hell away. At night, I've been digitizing old video, including the Black Pelican Dead Man's Party & Hallowe'en Ball videos. The Black Pelican theme parties ran from 1988 to 1991 with a fifth held in Seattle in 1993. They were invite-only custom-written mysteries couched in a certain genre: 1930s, 1960s espionage, B-movies, pre-20th century authors... it was great fun and we have video from the first four in California.
Putting together a 2-DVD set of the four parties of course led me to the And Tears Fell music video we shot back in 1990 for our single Ghosts, which we never edited. So I found the footage, took it into Vegas, and edited it. Just as if we'd put it together 15 years ago - even the style of editing and layers of ethereal color over black and white sync footage. It looks like something you'd see on the 4AD Records compilation Lonely is an Eyesore. But something it also has done is create a Sam-saturation. I'm now archiving stuff and putting it away - it's too painful for me to have all of these images of Sam, with her voice all digitally preserved, right here at my fingertips, and yet not have her physically here. It hasn't reached obsession levels, but I can feel an ever-growing discomfort with all the constant exposure to her image and voice. After the holidays, I will be able to finish up some of these projects and not dwell so much on the loss.
I want to get to the point where these triggers cause happy memories and not pain of loss. It's happening. I know it is because I'm undergoing the equivalent of a Medieval wound-searing. It hurts like hell now, but the wound will be closed without further infection.
We (my kids, sister, brother, SIL, niece and stepmom) saw the Pacific NW Ballet production of The Nutcracker on Wednesday, after an awesome dinner at the Bamboo Garden vegetarian Chinese restaurant across from Seattle Center. It was the production with Maurice Sendak-designed sets & costumes. I loved the sets and costumes. Nuff said. The children enjoyed it plenty, but at one point in the second act, I just reached saturation. Beautiful sets... with some activity happening on stage... honestly, there's only so many bodies you can cram leaping about onto a stage before it becomes ridiculous. And as much as I applaud the Sendak design for turning the Nutcracker's candy kingdom into a 19th century Ottoman slave camp, I found I really missed my Russian dancers and the fat-butted lady with the gingerbread kids in her skirt.
Was supposed to see King Kong today, but Steve-o got a gig that conflicts. So we'll go next week. Got dinner at Salty's on Alki tonight with Sam's folks, my stepmom, bro, SIL, and the kids. Tomorrow is Christmas eve at Sam's brother's place, then Christmas day happens... I'll let you know how that goes.
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1 comment:
The holidays are one of those times of year where we just can't do it "one day at a time". So, Todd, for as long as you need it, one hour at a time, okay?
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